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Gaiman Spins a Dark Fantasy for Kids

CoralineMy reading theme for vacation last week was catching up with books being adapted into films. Neil Gaiman’s dark fantasy for youth is called Coraline, and it tells the tale of a girl who stumbles upon a terrifying nightmare world right next to her own in the last couple of weeks of summer vacation. Think back to your childhood; think back on your summer vacation. For many, the last couple of weeks in August herald a transition time. The summer is starting to get a little boring, and while your mind was once occupied with exploring, playing, dreaming, now thoughts turn excitedly toward school. Such is the case with Coraline. Her parents don’t have time to keep her entertained, and while the eccentric tenants who live in the other parts of her building provide curious diversions, they aren’t quite enough. One day Coraline discovers that the door in the study which usually opens to a blank brick wall now opens to a long, dark tunnel. What else is there to do in the dog days of summer but explore the tunnel?

What Coraline finds is a strange world where her other-mother and other-father live. The eccentric tenants are represented as well, as is the aloof, black cat that lives out in the yard. The people are interesting, but a little off-kilter, and instead of eyes, black buttons stare unblinkingly form their faces. For the better part of a day, Coraline enjoys exploring this new, strange world, but when it comes time to leave, Gaiman’s fable takes a decidedly dark turn. In the days leading up to school, Coraline must fight for her soul, the souls of the children who have come before her and the lives and souls of her parents.

Gaiman spins a tale reminiscent of the fairy tales of youth. There is something safe and comforting about them even as the plucky heroine faces chilling and very-real danger. Here’s hoping Coraline makes for a good film-adaptation, and since it is animated, the visuals will surely have a huge impact on its success. The film is currently in post-production and is scheduled for release next year. It will feature the voice of Dakota Fanning as Coraline, Teri Hatcher as her mother (and her other-mother), and the brilliant Dawn French and Jennifer Saunders as two of the neighbors. This is a quick read, and I highly recommend it.

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Cloud Nine

Javier Bardem - 9 is not a rating, it’s his next filmMichael told me about this the other day, but it never really sank in until I read on Everything I Know I Learned From Musicals that Javier Bardem has been cast as Guido Contini in the film version of Nine. (For non-theatre people, Nine is a musical based on a film by some unknown director named Fellini. But it’s a half-number better.)

In his blog post, Chris rightly points out that it’s hardly an issue if Javier can’t sing beautifully — dude’s hot. Who cares? (Wait, did you say there were some women in the movie too?)

But my real question is this: Why do Spanish-speaking actors keep getting cast in this Italian role? Raul Julia, Antonio Banderas, Javier Bardem. WTF? Not saying they can’t do it, of course. I just have this feeling that it seems “close enough” for America. (Zhang Ziyi in Memoirs of a Geisha, anyone?) Eh, could be worse. Could be Mickey Rooney as a Chinese landlord.

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Sing along — You know the words!

I was just saying to Michael that I’m waiting for the day the Village People get their props — not as artists, of course, but as truly brilliant subversive social revolutionaries. Doesn’t it make you giggle to think of millions of sporting fans the world-over semaphoring along to a song about gay sex?

And how brilliant would it be to hear it in Finnish?

I love how this man dances.

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Check out the Desperate Classic Housewives

So TVLand is doing something pretty cool with some classic actresses, and I just had to post this video here because it features one of my favorite classic TV actresses. I was going to list who plays the desperate classic housewives, but I think you’ll get more of a kick out of seeing them revealed one at a time. E-mail me if you don’t recognize them (and if you’re under 30, you may not!

There’s also a pretty funny spoof of Sex in the City.

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Preparing for the Film Release

BlindessJosé Saragamo’s Blindness was the winner of the 1998 Nobel Prize for Literature. As the inhabitants of an unnamed city go blind one by one, the very fabric of society begins to decay until it is transformed into an animalistic morass of survival. That is the premise of Saramago’s intensely powerful and challenging novel. The core of the story revolves around seven people, among the first to go blind, along with a doctor’s wife who for some reason never loses her sight, but keeps this fact hidden from all save her husband.

Saramago explores how the removal of sight causes the destruction of the social structure. Even before the entire community goes blind, the government, fearing (rightly) an epidemic, quarantine all the blind under inhumane conditions. Yet as the worst of human society emerges, so too does compassion and cooperation, as we follow the seven main characters and watch as they form their own family to insure their survival.

Blindness is not a beach-reading novel that you can flip through in a day. It require concentration and reflection. Saramago pulls the reader into some pretty horrific situations as some of the downtrodden take advantage of others. With the character of the doctor’s wife, the sole sighted person in a city filled with the blind, Saramago creates a character both helpless and with great responsibility to those around her. It’s an insightful allegory to our world today.

I decided to read Blindness after finding out that it has been adapted for the screen by writer/director/actor extraordinnaire, and my pal, Don McKellar. It’s sure to be a harrowing experience.